Pablo Larraín and Stéphane Fontaine Filmed Jackie on KODAK Super 16mm film stocks – KODAK VISION3 500T Color Negative Film 7219 and VISION3 200T Color Negative Film 7213 so that “Jackie” could have the faded, grainy texture required to achieve the 16mm Film Look
Film aspect ratios is one of many storytelling choices a filmmaker makes when deciding how to shoot a film. A good filmmaker knows how to select the right film ratio (or screen proportions) to give his/her audience a better ‘more cinematic’ experience. So why choose one ratio over another?
